This installation marks the third phase of my sculptural system grounded in body proportions, integrating glass and salt as materials for temporal inscription. Developed through the Atmospheric Mechanism—an Arduino-controlled system of fog, scent, and light—it spatializes memory through atmospheric repetition. Salt emerges through evaporation and glass registers condensation, making time visible through erosion, accumulation, and disappearance. Like starlight, both materials articulate delay—traces of something already past but still perceptible. Planetary correspondences from Agrippa’s Three Books of Occult Philosophy organize the sensory logic of the installation. A series of perfumes—accompanied by edible candies created with a flavorist—translate scent into taste, deepening the system’s engagement with emotional time and non-linear memory. Realized as an interconnected multi-city installation, the work constructs memory through atmosphere, not form. The immersive environment does not seek to illustrate memory, but to activate its sensory and emotional charge—drawing the viewer into a space where time loops, dissolves, and returns through material, scent, and light.

Here it’s always Monday, Thursday, Friday and Sunday.

Installation: Wax, plaster, concrete, black pigment, salt, water, LED, Arduino, water pump, fog machine, smoke machine, mirror, pastel, cotton paper, graphite, perfume.

Contemporary Art Museum MARCO, Pequod Co. Gallery