This project initiated my sculptural system by positioning architecture as a temporal interface for memory. I documented 103 ruined houses across my hometown, collecting fragments and drawing their plans from memory using the proportions of my body. The resulting sculpture was built from steel I could bend and site soil, organized through three temporal phases: Destruction, Habitation, and Reconstruction. Influenced by Kiesler’s Endless House, the work proposed memory as spatial, unstable, and always in transition.

Theory of Transition (2018)

Installation: video, drawing: drywall and graphite, steel, site soil, water

Museo de Arte Carrillo Gil